Duccio (di Buoninsegna), (born 13th century, Siena, Republic of Siena—died c. 1319, Siena?), Italian painter. Little is known of his life, but several commission records survive, as well as two documented works, the Rucellai Madonna for the Florentine church of Santa Maria Novella (1285) and the famous Maestà altarpiece for Siena Cathedral (1308–11); both represent landmarks in the history of Italian painting. His style reflected the influence of Cimabue and Byzantine art, though he introduced a warmth of human feeling that was comparable to that of Giotto in Florentine painting. He was the leading painter in Siena, one of Italy’s most vital artistic centres in the Middle Ages.
Duccio (di Buoninsegna) summary
Below is the article summary. For the full article, see Duccio.
stained glass Summary
Stained glass, in the arts, the coloured glass used for making decorative windows and other objects through which light passes. Strictly speaking, all coloured glass is “stained,” or coloured by the addition of various metallic oxides while it is in a molten state. Nevertheless, the term stained
painting Summary
Painting, the expression of ideas and emotions, with the creation of certain aesthetic qualities, in a two-dimensional visual language. The elements of this language—its shapes, lines, colors, tones, and textures—are used in various ways to produce sensations of volume, space, movement, and light