Ancient Greek literature

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Assorted References

  • major reference
    • Kazantzákis, Níkos
      In Greek literature: Ancient Greek literature

      Of the literature of ancient Greece only a relatively small proportion survives. Yet it remains important, not only because much of it is of supreme quality but also because until the mid-19th century the greater part of the literature of the Western…

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  • effect of Persian Wars
  • library of Alexandria
    • In textual criticism: From antiquity to the Renaissance

      …collect and catalogue every extant Greek book and to produce critical editions of the most important together with textual and interpretative commentaries. Many such editions and commentaries did in fact appear. Alexandrian editing was distinguished above all by respect for the tradition; the text was constituted from the oldest and…

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  • preservation in epigraphical texts
    • Bīsitūn, Iran: monumental relief and inscription
      In epigraphy: Classical Greece

      The Orphic texts provide the popular parallel to the Platonic myth of Er in the 10th book of The Republic, where Plato somewhat recast Lethe and Mnemosyne into Ameles (“Unmindfulness”) and Anamnesis (“Recollection”). Thus, epigraphy not merely supplements the literary record of Greek civilization but also complements…

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  • prosody
    • In prosody

      The term derived from an ancient Greek word that originally meant a song accompanied by music or the particular tone or accent given to an individual syllable. Greek and Latin literary critics generally regarded prosody as part of grammar; it concerned itself with the rules determining the length or shortness…

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  • stars and constellations
  • use of Greek language
    • Indo-European languages in contemporary Eurasia
      In Greek language: History and development

      …the 1st millennium bce caused literature to develop on a dialect basis. The Homeric epic displays an artificial dialect based on Asiatic Ionic but interspersed with Aeolic and even Mycenaean elements inherited from a long oral tradition. Choral lyric also uses an artificial dialect, which is based on Doric but…

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genres

    drama

    theatre
    • scene shifting
      • In scene shifting

        In Greek and Roman theatre the action was performed in front of a conventional backdrop—representing a temple in Greek theatre and houses or a temple in Roman theatre. Changes of scene were indicated by the movement of actors to a different area of the backdrop. Periaktoi,…

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    • comedy
      • In comedy

        …began with Aristotle in ancient Greece of the 4th century bce and persists through the present, holds that it is primarily concerned with humans as social beings, rather than as private persons, and that its function is frankly corrective. The comic artist’s purpose is to hold a mirror up to…

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    • didascaly
      • In didascaly

        …training of the chorus in ancient Greek drama. The word is from the Greek didaskalía, “teaching or instruction.” The Greek plural noun didaskaliai (“instructions”) came to refer to records of dramatic performances, containing names of authors and dates, in the form of the original inscriptions or as later published by…

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    • fabula palliata
      • In fabula palliata

        …were translations or adaptations of Greek New Comedy. The name derives from the pallium, the Latin name for the himation (a Greek cloak), and means roughly “play in Greek dress.” All surviving Roman comedies written by Plautus and Terence belong to this genre.

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    • hamartia
      • In hamartia

        In Greek tragedy the nature of the hero’s flaw is even more elusive. Often the tragic deeds are committed unwittingly, as when Oedipus unknowingly kills his father and marries his own mother. If the deeds are committed knowingly, they are not committed by choice: Orestes is…

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    • lyric
    • mythological themes
      • mythological figure
        In myth: Performing arts

        …Western drama, the tragedies of Classical Greece, not only because of the many mythological subjects treated and the plays’ performance at the festival of Dionysus but also because of the playwrights’ mythlike presentation of events and facts. An example of such presentation is the story pattern, notably the way retribution…

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    • pantomime
      • Drawing of an ancient Roman pantomimus
        In mime and pantomime

        …in the strict sense, a Greek and Roman dramatic entertainment representing scenes from life, often in a ridiculous manner. By extension, the mime and pantomime has come to be in modern times the art of portraying a character or a story solely by means of body movement (as by realistic…

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    • prologos
      • In prologue

        The ancient Greek prologos was of wider significance than the modern prologue, effectually taking the place of an explanatory first act. A character, often a deity, appeared on the empty stage to explain events prior to the action of the drama, which consisted mainly of a…

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    • tragedy
      • Athens: Acropolis
        In ancient Greek civilization: Greek tragedy

        Greek tragedy was not itself intended as an immediate contribution to political debate, though in its exploration of issues, sometimes by means of rapid question-and-answer dialogue, its debt to rhetoric is obvious (this is particularly true of some plays by Euripides, such as the Phoenician…

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      • Aeschylus
        In tragedy

        …describe a specific kind of play, which was presented at festivals in Greece. Sponsored by the local governments, these plays were attended by the entire community, a small admission fee being provided by the state for those who could not afford it themselves. The atmosphere surrounding the performances was more…

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    epic

    • Giovanni Domenico Tiepolo: The Procession of the Trojan Horse into Troy
      In epic: Uses of the epic

      The ancient Greek epic exemplifies the cycle of an oral tradition. Originating in the late Mycenaean period, the Greek epic outlasted the downfall of the typically heroic-age culture (c. 1100 bce) and maintained itself through the “Dark Age” to reach a climax in the Homeric poems…

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    • folk literature
      • Guslar
        In folk literature: Cultural exchange in written and oral traditions

        …the usual characteristics of folk literature, such as long repetitions and formulaic expressions, have come so far in their development that they move with ease within a uniform and difficult poetic form, have constructed elaborate and fairly consistent plots and successfully carried them through, and have preserved in definitive form…

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    • Homer
      • Homer
        In Homer

        …two great epic poems of ancient Greece and Classical antiquity have always been attributed to the shadowy figure of Homer, little is known of him beyond the fact that his was the name attached in antiquity by the Greeks themselves to the poems. That there was an epic poet called…

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    rhetoric and oratory

    • Demosthenes
      • Demosthenes
        In Demosthenes

        …recognized as the greatest of ancient Greek orators, who roused Athens to oppose Philip of Macedon and, later, his son Alexander the Great. His speeches provide valuable information on the political, social, and economic life of 4th-century Athens.

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    • Isocrates
      • In Isocrates

        …Athens—died 338, Athens) was an ancient Athenian orator, rhetorician, and teacher whose writings are an important historical source on the intellectual and political life of the Athens of his day. The school he founded differed markedly in its aims from the Academy of Plato and numbered among its pupils men…

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    • Libanius
      • In Libanius

        …Antioch, Syria—died 393) was a Greek Sophist and rhetorician whose orations and letters are a major source of information on the political, social, and economic life of Antioch and of the eastern part of the Roman Empire in the 4th century.

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    influence on

      Latin literature

      • In Latin literature: Ancient Latin literature

        Literature in Latin began as translation from the Greek, a fact that conditioned its development. Latin authors used earlier writers as sources of stock themes and motifs, at their best using their relationship to tradition to produce a new species of originality.…

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      • Horace
        • Horace, bronze medal, 4th century; in the Bibliothèque Nationale, Paris
          In Horace: Influences, personality, and impact of Horace

          …of Latin and, more especially, Greek forerunners. The echoes are never slavish or imitative and are very far from precluding originality. For example, in one of his satires Horace wrote what looks at first like a realistic account of a journey made to Brundisium (Brindisi, on Italy’s “heel”) in 37…

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      • Tacitus
        • Tacitus
          In Tacitus: Style and importance

          Greek historiography had defined ways of depicting history: one could analyze events in plain terms, set the scene with personalities, or heighten the dramatic appeal of human action. Each method had its technique, and the greater writer could combine elements from all three. The Roman…

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      • Terence
        • In Terence

          …draw their material from earlier Greek comedies about rich young men and the difficulties that attended their amours. The adaptations varied greatly in fidelity, ranging from the creative freedom of Plautus to the literal rendering of Luscius. Although Terence was apparently fairly faithful to his Greek models, Luscius alleged that…

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