suri-mono

Japanese print
Also known as: surimono

Learn about this topic in these articles:

woodcuts

  • Hiroshige: No. 26 Mochizuki
    In woodcut

    …making of miniature prints, called suri-mono, to commemorate special occasions. They usually carried a poem and were made on special paper decorated with gold or silver dust. In the 18th century, ukiyo-e culminated in the landscape prints of Hokusai and Hiroshige. Many ukiyo-e woodcuts found their way to the West…

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work of Hokusai

  • In Hokusai: Early years.

    …time, Hokusai’s work in the surimono genre during the subsequent decade marks one of the early peaks in his career. Surimono were prints issued privately for special occasions—New Year’s and other greetings, musical programs and announcements, private verse selections—in limited editions and featuring immaculate printing of the highest quality.

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Japanese:
“pictures of the floating world”
Key People:
Kaburagi Kiyokata
Utagawa Toyokuni
Related Topics:
nishiki-e

ukiyo-e, one of the most important genres of art of the Tokugawa period (1603–1867) in Japan. The style is a mixture of the realistic narrative of the emaki (“picture scrolls”) produced in the Kamakura period and the mature decorative style of the Momoyama and Tokugawa periods. The ukiyo-e style also has about it something of both native and foreign realism.

Screen paintings were the first works to be done in the style. These depicted aspects of the entertainment quarters (euphemistically called the “floating world”) of Edo (modern Tokyo) and other urban centres. Common subjects included famous courtesans and prostitutes, kabuki actors and well-known scenes from kabuki plays, and erotica. More important than screen painting, however, were wood-block prints, ukiyo-e artists being the first to exploit that medium. A new interest in the urban everyday world and its market motivated the swift development of ukiyo-e prints designed for mass consumption.

Hishikawa Moronobu is generally accredited as the first master of ukiyo-e. The transition from single- to two-colour prints was made by Okumura Masanobu. In 1765 polychrome prints using numerous blocks were introduced by Suzuki Harunobu. The essence of the ukiyo-e style was embodied in the works of Utamaro, Hokusai, and Hiroshige.

Mary Cassatt: Woman Bathing
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printmaking: Japanese ukiyo-e prints
This article was most recently revised and updated by Meg Matthias.