Juan Martínez Montañés

Spanish sculptor
Also known as: Juan de Martínez Montañés
Quick Facts
In full:
Juan de Martínez Montañés
Born:
March 16, 1568, Alcalá la Real, Jaén, Spain
Died:
June 18, 1649, Sevilla (aged 81)

Juan Martínez Montañés (born March 16, 1568, Alcalá la Real, Jaén, Spain—died June 18, 1649, Sevilla) was a Spanish sculptor who was instrumental in the transition from Mannerism to the Baroque. His work influenced not only the sculptors and altarmakers of Spain and Latin America but also the Spanish painters of his century.

After studying in Granada under Pablo de Rojas (1579–82), Montañés went to Sevilla (Seville) in 1587 and established a studio that lasted until his death. He became known as the “Dios de la Madera” (“God of Wood Carving”) and had 50 years of enormous output and influence. He is remembered for his wood altars and altar figures covered with polished gold and paint in various colours. They are marked by an admirable aristocratic dignity, realistic yet idealized. He set the style throughout Spain and Latin America with such works as the statues of Christ on the cross, looking at the beholder; of the child Christ; and of the Immaculate Conception (all at the Sevilla Cathedral). The church in Santiponce, near Sevilla, contains his finest altar (1610–13); his largest work is at San Miguel in Jérez de la Frontera (1617–45).

This article was most recently revised and updated by Encyclopaedia Britannica.
Quick Facts
In full:
Pedro de Mena y Medrano
Baptized:
August 20, 1628, Granada, Spain
Died:
October 13, 1688, Málaga
Movement / Style:
Late Baroque

Pedro de Mena (baptized August 20, 1628, Granada, Spain—died October 13, 1688, Málaga) was a Spanish sculptor who created many statues and busts of polychromed wood for churches in Spain and Latin America. His work typifies the late Baroque.

Beginning as a student of his father, the sculptor Alonso de Mena, Pedro worked in the studio of Alonso Cano from 1652 to 1657. After Cano departed for Madrid, Pedro went in 1658 to Málaga to begin work on 40 choir stalls for the cathedral there, a project that took four years to complete. Establishing a studio in Málaga, he remained there the rest of his life, except for a visit to Madrid and Toledo in 1663, when he was named sculptor of the Toledo cathedral. His studio produced innumerable works for local churches and for churches in Madrid, Granada, and Córdoba.

Mena’s style is heavily indebted to Cano but is more theatrical and realistic. Unfortunately, many of his sculptures at Málaga were destroyed in the riots of 1931. Among these was his masterful Virgin of Bethlehem in the Church of Santo Domingo, which combined dignity and playfulness, seriousness and extroverted grace, typical of Andalusia. Works that have survived include the simple but very moving statue of St. Francis of Assisi in His Tomb in the Toledo cathedral, and a Dolorosa at Cuenca cathedral and another Dolorosa (1673, Madrid, Descalzas Reales), both expressing their motif with remarkable poignancy.

Color pastels, colored chalk, colorful chalk. Hompepage blog 2009, arts and entertainment, history and society
Britannica Quiz
Ultimate Art Quiz
The Editors of Encyclopaedia BritannicaThis article was most recently revised and updated by Amy Tikkanen.