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Studio Ghibli

Japanese film studio
Written by
Pat Bauer
Pat Bauer graduated from Ripon College in 1977 with a double major in Spanish and Theatre. She spent most of the next 42 years working as a copy editor and editor at Encyclopaedia Britannica. She retired in 2021 but was unable to break the habit and now works as a freelance editor. 
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Miyazaki Hayao
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Miyazaki Hayao, 2008.
© Studio Ghibli/Ntv/Dentsu/Toho/Kobal/Shutterstock.com
Date:
1985 - present
Headquarters:
Tokyo
Areas Of Involvement:
film
animation
Related People:
Miyazaki Hayao

Studio Ghibli is an acclaimed Japanese animation film studio that was founded in 1985 by animators and directors Miyazaki Hayao and Takahata Isao and producer Suzuki Toshio. Studio Ghibli is known for the high quality of its filmmaking and its artistry. Its feature films have won both critical and popular praise and have influenced other animation studios. The headquarters are in Tokyo.

Founding and early films

Before founding Studio Ghibli, Miyazaki directed Lupin III: The Castle of Cagliostro (1979), his first feature film. In 1984, he made his second, Kaze no tani no Naushika (Nausicaä of the Valley of the Wind), which was based on his own popular manga strip. The next year Miyazaki, Takahata, and Suzuki established Studio Ghibli. The first official Studio Ghibli release was Tenkū no shiro Rapyuta (1986; Castle in the Sky). Most of the films produced by Studio Ghibli were written and directed by Miyazaki and include, in addition to the aforementioned, Tonari no Totoro (1988; My Neighbor Totoro), Majo no takkyūbin (1989; Kiki’s Delivery Service), and Kurenai no buta (1992; Porco Rosso).

My Neighbor Totoro
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The Cat Bus in Tonari no Totoro (1988; My Neighbor Totoro), directed by Miyazaki Hayao.
© 1998 Studio Ghibli
My Neighbor Totoro
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(From left) Satsuki and Totoro in Tonari no Totoro (1988; My Neighbor Totoro), directed by Miyazaki Hayao.
© 1998 Studio Ghibli

International success and later works

After Nausicaä of the Valley of the Wind was badly edited for release in the United States under the name Warriors of the Wind (1986), Miyazaki forbid his films to be released in the West for many years. In 1996, however, a deal was reached to allow Walt Disney Studios to distribute Studio Ghibli’s movies, with the caveat that no film editing was to take place. The following year Studio Ghibli issued Miyazaki’s blockbuster hit Mononoke-hime (Princess Mononoke).

USA 2006 - 78th Annual Academy Awards. Closeup of giant Oscar statue at the entrance of the Kodak Theatre in Los Angeles, California. Hompepage blog 2009, arts and entertainment, film movie hollywood
Princess Mononoke
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A scene from Mononoke-hime (1997; Princess Mononoke), directed by Miyazaki Hayao.
© 1997 Studio Ghibli

The studio’s best-known movie, Sen to Chihiro no kamikakushi (2001; Spirited Away), won several awards, notably the Golden Bear at the 2002 Berlin International Film Festival and the 2003 Academy Award for best animated feature. Later films included Hauru no ugoku shiro (2004; Howl’s Moving Castle), Gake no ue no Ponyo (2008; Ponyo), Kaze tachinu (2013; The Wind Rises), and Kaguyahime no monogatari (2013; The Tale of the Princess Kaguya).

Spirited Away
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Chihiro seated between No-Face (left) and Yubaba in the film Spirited Away (2001).
© 2001 Studio Ghibli
Spirited Away
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Kamaji (left) and Chihiro in Spirited Away (2001).
© 2001 Studio Ghibli
Spirited Away
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No-Face (left) and Chihiro in the film Spirited Away (2001).
© 2001 Studio Ghibli
Ponyo
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A scene from the film Gake no ue no Ponyo (2008; Ponyo), directed by Miyazaki Hayao.
© 2008 Studio Ghibli
Ponyo
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Still from the film Gake no ue no Ponyo (Ponyo), written and edited by Miyazaki Hayao.
© 2008 Studio Ghibli
Learn more about Studio Ghibli and how animator Miyazaki Hayao uses color.
Encyclopædia Britannica, Inc.

In 2001, the Miyazaki-designed Ghibli Museum opened in Mitaka, Japan. Its attractions included exhibits about animation and original short films from Studio Ghibli.

Studio Ghibli and AI-generated art

Studio Ghibli became part of the debate about artificial intelligence (AI) and creative ownership in March 2025 when OpenAI, an American AI research organization, released an image generator capable of mimicking the studio’s signature style. Users quickly began posting Ghibli-inspired images on social media—some playful, others disturbing. Although many fans found the tool nostalgic, critics, including artists, raised concerns about unauthorized imitation and the future of human creativity. Miyazaki, long critical of AI in art, had previously called it “an insult to life itself,” a sentiment that resurfaced during the controversy.

Patricia Bauer