Sound and Image

Soviet film manifesto

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position on sound dubbing

  • Vitascope
    In History of film: Postsynchronization

    …this practice of synchronous, “naturalistic” sound recording as a threat to the cinema. In their 1928 manifesto “Sound and Image,” the Soviet directors Sergei Eisenstein, Vsevolod Pudovkin, and Grigory Aleksandrov denounced synchronous sound in favor of asynchronous, contrapuntal sound—sound that would counterpoint the images it accompanied to become another dynamic…

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